Raimund Abraham and Lebbeus Woods | ANTI—Journey to Architecture: Dialogue of work pulse.me/s/3hMb6

Raimund Abraham and Lebbeus Woods | ANTI—Journey to Architecture: Dialogue of work pulse.me/s/3hMb6

(Source: ethel-baraona)

@11 months ago with 35 notes
#Raimund Abraham #Lebbeus Woods 
GROUND ZERO 2003 | The World Trade Center Site Memorial Competition, New York

Raimund Abraham [UN]BUILT

GROUND ZERO 2003 | The World Trade Center Site Memorial Competition, New York

Raimund Abraham [UN]BUILT

(Source: ethel-baraona)

@1 year ago with 29 notes
#Raimund ABRAHAM #ground zero #competition #collage #architecture 



Raimund Abraham, Megabridge, 1965

Raimund Abraham, Megabridge, 1965

(via ethel-baraona)

@1 year ago with 184 notes
#Raimund Abraham #bridge #architecture #section 

Raimund Abraham, the house without rooms, 1974
In the early 1970s Raimund Abraham’s renewed interest in the typology of  the house resulted in numerous projects exploring the ritual of  dwelling. To explore the various psychological conditions intuited in  the archetypal house, Abraham used words as well as images. In a poem he  titled “Elements of the House,” he indicated often opposing sensations  and feelings, natural elements and cycles, and spatial components to  characterize his subject. With regard to the design for a House with  Curtains, the open grid with blowing curtain walls gives physical form  to “the wind,” “movement,” “transparencies,” and “dreams.” In the House  without Rooms, what looks like the carved interior of a boulder  embodies, “density,” “paralysis,” “isolation,” and “wombs.” Situated in  barren landscapes, either imagined or from memory, both schemes are for  houses that straddle the earth and the sky, and evoke life’s  oppositions.

Raimund Abraham, the house without rooms, 1974

In the early 1970s Raimund Abraham’s renewed interest in the typology of the house resulted in numerous projects exploring the ritual of dwelling. To explore the various psychological conditions intuited in the archetypal house, Abraham used words as well as images. In a poem he titled “Elements of the House,” he indicated often opposing sensations and feelings, natural elements and cycles, and spatial components to characterize his subject. With regard to the design for a House with Curtains, the open grid with blowing curtain walls gives physical form to “the wind,” “movement,” “transparencies,” and “dreams.” In the House without Rooms, what looks like the carved interior of a boulder embodies, “density,” “paralysis,” “isolation,” and “wombs.” Situated in barren landscapes, either imagined or from memory, both schemes are for houses that straddle the earth and the sky, and evoke life’s oppositions.

(Source: placespacetime)

@2 years ago with 132 notes
#raimund abraham #architecture #drawing #moma 
“… I tryto manifest the presenceof the horizonsmy eyes become earthprojected fragmentsof a weightless bodywithout dimensionwithout possible modulationin space or time.”

- Raimund Abraham 

From  Raimund Abraham [UN]BUILT on DOMUS

“… I try
to manifest the presence
of the horizons
my eyes become earth
projected fragments
of a weightless body
without dimension
without possible modulation
in space or time.”

- Raimund Abraham 

From  Raimund Abraham [UN]BUILT on DOMUS

(Source: ethel-baraona)

@1 year ago with 41 notes
#Raimund ABRAHAM #domus 
“From earliest times, architecture has complied with that order of logical forms which is contained in the nature of each material. That is to say: each material can only be used within the limits imposed by its organic and technical possibilities.”


-Raimund Abraham

“From earliest times, architecture has complied with that order of logical forms which is contained in the nature of each material. That is to say: each material can only be used within the limits imposed by its organic and technical possibilities.”

-Raimund Abraham

(via ethel-baraona)

@1 year ago with 17 notes
#Raimund ABRAHAM #architecture #collage 
Abraham’s [Un]built via Lebbeus Woods

The architect Raimund Abraham died tragically in an automobile accident in Los Angeles on March 4, 2010. He left behind an impressive, if not vast, body of work consisting of visionary urban projects, utopian houses, designs for projects never realized, as well as built projects of innovative design and uncompromised principles. It is a body of work instantly recognizable as by this singular architect, that serves as an inspiration for any architect, whatever his or her ideals, who aspire to a life of dedication to and passion for the art and discipline of architecture. It is very good news, therefore, that the book of the work and thought of Raimund Abraham, which he personally oversaw, originally published in 1996, has recently been published in a new, expanded edition, entitled [UN]BUILT, covering his works up to the present.

Abraham’s [Un]built via Lebbeus Woods

The architect Raimund Abraham died tragically in an automobile accident in Los Angeles on March 4, 2010. He left behind an impressive, if not vast, body of work consisting of visionary urban projects, utopian houses, designs for projects never realized, as well as built projects of innovative design and uncompromised principles. It is a body of work instantly recognizable as by this singular architect, that serves as an inspiration for any architect, whatever his or her ideals, who aspire to a life of dedication to and passion for the art and discipline of architecture. It is very good news, therefore, that the book of the work and thought of Raimund Abraham, which he personally oversaw, originally published in 1996, has recently been published in a new, expanded edition, entitled [UN]BUILT, covering his works up to the present.

(via ryanpanos)

@2 years ago with 66 notes
#Raimund Abraham #Lebbeus Woods #sketches #architecture 
Raimund Abraham and Lebbeus Woods | ANTI—Journey to Architecture: Dialogue of work pulse.me/s/3hMb6
11 months ago
#Raimund Abraham #Lebbeus Woods 
“… I tryto manifest the presenceof the horizonsmy eyes become earthprojected fragmentsof a weightless bodywithout dimensionwithout possible modulationin space or time.”

- Raimund Abraham 

From  Raimund Abraham [UN]BUILT on DOMUS
1 year ago
#Raimund ABRAHAM #domus 
GROUND ZERO 2003 | The World Trade Center Site Memorial Competition, New York

Raimund Abraham [UN]BUILT
1 year ago
#Raimund ABRAHAM #ground zero #competition #collage #architecture 
“From earliest times, architecture has complied with that order of logical forms which is contained in the nature of each material. That is to say: each material can only be used within the limits imposed by its organic and technical possibilities.”


-Raimund Abraham
1 year ago
#Raimund ABRAHAM #architecture #collage 



Raimund Abraham, Megabridge, 1965
1 year ago
#Raimund Abraham #bridge #architecture #section 
Abraham’s [Un]built via Lebbeus Woods

The architect Raimund Abraham died tragically in an automobile accident in Los Angeles on March 4, 2010. He left behind an impressive, if not vast, body of work consisting of visionary urban projects, utopian houses, designs for projects never realized, as well as built projects of innovative design and uncompromised principles. It is a body of work instantly recognizable as by this singular architect, that serves as an inspiration for any architect, whatever his or her ideals, who aspire to a life of dedication to and passion for the art and discipline of architecture. It is very good news, therefore, that the book of the work and thought of Raimund Abraham, which he personally oversaw, originally published in 1996, has recently been published in a new, expanded edition, entitled [UN]BUILT, covering his works up to the present.
2 years ago
#Raimund Abraham #Lebbeus Woods #sketches #architecture 

Raimund Abraham, the house without rooms, 1974
In the early 1970s Raimund Abraham’s renewed interest in the typology of  the house resulted in numerous projects exploring the ritual of  dwelling. To explore the various psychological conditions intuited in  the archetypal house, Abraham used words as well as images. In a poem he  titled “Elements of the House,” he indicated often opposing sensations  and feelings, natural elements and cycles, and spatial components to  characterize his subject. With regard to the design for a House with  Curtains, the open grid with blowing curtain walls gives physical form  to “the wind,” “movement,” “transparencies,” and “dreams.” In the House  without Rooms, what looks like the carved interior of a boulder  embodies, “density,” “paralysis,” “isolation,” and “wombs.” Situated in  barren landscapes, either imagined or from memory, both schemes are for  houses that straddle the earth and the sky, and evoke life’s  oppositions.
2 years ago
#raimund abraham #architecture #drawing #moma